Nicole Gilroy writes…
The two weeks have flown by, and, fortified by a good breakfast at Mick’s Café, the team started on the final day of the stabilization work. We reviewed the work that has been done and we are happy that the splints and joint support are functioning as we intended.
Measurements of the book were taken so that a new tailor-made box can be ordered for it: suitable housing is crucial to the preservation of rare books, and though the First Folio has a rather fine presentation box, made for it by the Oxford firm Maltby’s on its return to the library, the box is damaged and is no longer protecting the book as well as we would like.
A custom-made box covered in hard-wearing linen cloth will be constructed for the book, and in true Bodleian style the old box, in its own card box, will be retained alongside it on the shelf!
We have had some fantastic responses to the project from the media, with journalists from the local news as well as The Guardian and BBC Radio 4 visiting to see our work. The team were delighted to host a visit from Vanessa Redgrave who has given her enthusiastic and heartfelt support to the project. This has made the workshop a busy place over the last two weeks, and we have greatly enjoyed sharing our work with these and many other visitors.
Next week the project moves on to the next exciting phase: the digitization itself. The work of the Conservation team is not over, as we will be working closely with our specialist photographers to ensure the safety of the book while getting the best possible images.
Our brief time with this very special book has sparked our interest in many areas: the binding methods and techniques, the paper quality, the material used for repair patches and much more. We look forward to seeing the plays online when the work is complete, and will be following up the threads of evidence that we have been able to pick up during our work.
I hope these notes have been interesting and have given a glimpse of the sort of work that goes on in the Conservation workshop: a combination of history, archaeology, technical analysis, photography, and an awful lot of thinking and talking. Only when we have done all of that do we pick up our brushes and spatulas and carry out the repair.