Guest blogger, Annie Martirosyan, writes…
RSC is always a treat when I am in fair Stratford-upon-Avon. I have seen performances I adored and performances I disliked. I could not predict what I would make of King John. I am mostly a purist when it comes to adapting Shakespeare and I heard King John was very modernized.
It was raining as I left the Shakespeare Institute. I intentionally forgot the umbrella at the guest house as I did not want to shun the English rain. I had little time for usual pottering in the foyer, so I grabbed my RSC Key ticket and ran to the Gallery.
There were balloons! They must burst onto the stage at some point, I thought. Something splendid seemed to be unfolding…
Photo: Annie Martirosyan
Pippa Nixon appeared – in colourful tights, with bright red lipstick and a guitar. She was loud, modern-Englished, talking to us randomly and playing the guitar accompanied with her high-spirited singing. I laughed. I definitely was not in the early 13th century – but whatever it was, it looked like it was going to be a blast!
…The lights lit up, the cast rushed in, loud, colourful, fidgety. Blanche, blonde, and excellently portrayed by Natalie Klamar. Did Shakespeare conceive of Blanche as a modern stereotypical silly blonde? And so perfectly modern did Shakespearean English sound from the mouth of the Spanish princess!
Blanche and Dauphin’s wedding was the most hilarious I have ever witnessed, on and off stage. How naturally gifted a non-native director must be to combine modern posh pomp and Shakespeare’s tongue so gracefully and fluently! And all was to such a very appropriate music that the audience laughed themselves into stitches with delight at this musical comedy, while not hating this unimaginable interpretation of King John – indeed, nodding at the very wild and brilliant adaptation. This is what the Swedish director Maria Aberg achieved.
Alex Waldmann played King John – so young and yet so worthy to stand on RSC’s stage as an English king. Susie Trayling as a mad Constance, in a vibrant purple dress and with reddish curls, was noisy and chilling. Paola Dionisotti as a female Pandulph looked smart. John Stahl as Philip of France, in a trim aquamarine suit, was funny and appropriate. Sandra Duncan was hilarity itself as a motorcycling Lady Faulconbridge! Strangely, the boy playing Arthur is not mentioned in the “King John cast and creative” on RSC’s website – he was apt and voiced, so young and so talented! They were all excellent.
Siobhan Redmond, in a long emerald silky dress and with her fiery head, a gift from nature – slightly incestuous, slightly silly but snobbish – was almost an ideal grandmother to Arthur.
The Bastard: you would not make much of the character, would you, other than term him a slimy, insolent illegitimate social climber or some such? Maria Aberg unsexed him, made her a central character and what’s more – had Pippa Nixon cope with this. And cope she did, top-drawer. She sprang onto stage as if from the street, with the casualness of her outfit, the resonant powerful voice spontaneously spitting Shakespeare’s lines from her throat and her being – this slim young actress besieged the audience. If Pippa Nixon can make so much out of such an unpleasing, neglected character and give shape to a plot Shakespeare cared not to define, I don’t doubt I’ll see her doing King Lear and Falstaff one day with similar dazzle!
…The lights went out, there was confetti in the air, Pippa Nixon was singing…
With balloons, hoops, pomp, a silly blonde, slight incest and comedy, RSC’s King John was an absolute delight. In a mingled play of mixed feelings and a plot that baffles a single-sentence definition, Maria Aberg’s exquisite production attempted not to confirm it as a black-and-white historical trauma, but succeeded in accentuating the jumbled plot with physical colours and emphasized characters, turning King John into a glittering show that was incredibly likeable! Indeed, the production deserves as many stars as there were balloons! Shakespeare would have been entertained.
The RSC’s King John was on at the Swan Theatre in Stratford-upon-Avon from April to September 2012.
You can read the longer review and the full writ on Avon’s stages on Talk Like Shakespeare website.
PhD Shakespeare researcher, linguist, English Language Lecturer